Numerous artists have made use of religious principles as they devised ideas to use in their work. "It is no wonder, therefore, that so much of the finest art of history has religious meaning, from the Parthenon and Chartres to the Taj Mahal and Rothko Chapel, from the Divine Comedy and Paradise Lost through the German Requiem to the Brothers Karamazov" (Dutton 230).
Bermudez, Jose Luis, Art and morality, (Routledge, 2003)
Dutton, Denis, the art instinct: beauty, pleasure, & human evolution, (Oxford University Press, 2009)
Widdows, Heather, the moral vision of Iris Murdoch, (Ashgate Publishing, Ltd., 2005)
Even though there are many individuals who promote the belief that art should not be associated with religion, people appear to ignore the fact that religious concepts can functions as catalysts strengthening the relationship between man and the divine. Art practically represents the best that humanity can give birth to and it should be recognized for the fact that it assisted people in achieving progress ever since the Ancient era. Individuals in Ancient Greece and artwork produced during the period provide a succinct account regarding people's thinking at the time. Religion influenced individuals in adopting particular attitudes and it inspired them in creating artistic work.
Religious societies have traditionally expressed lack of support concerning idolatry. Even with that, idolatry is largely responsible for the fact that religions can relate to a background and because society holds artifacts that provide information concerning religion before the current era. By using religious themes, artists in the Ancient world managed to put across messages that had a positive effect on people and on society as a whole through the fact that it provided them...
C.E.), a large underground chamber with massive capitals supporting a slanting and beamed ceiling. In tombs like this and in many others, the walls were usually covered with paintings in the form of murals, mostly drawn from Greek legends. Most of the time, these murals provide scenes of banquets, feasts and revelry, such as in the Tomb of the Leopards in Tarquinia, Italy. This tomb is decorated with a banquet
Cast in the Khasa Malla Kingdom of the western Himalayas made of gilt copper alloy with inlay and is a superb example of Newar artistry without the elaborate embellishments. The historical Buddha is seated in the lotus or meditation posture (vajrasana) with one hand resting in the lap and the other in a gesture that calls the earth to witness his great resolve. Earrings inlaid with turquoise adorn the
Art India: Unknown artist. Unknown date. This is a painting of Vedic art, depicting Krishna eating lunch with his friends. It was commissioned for an Indian monastery. Culturally, this form of art depicts a story from the life of Krishna. Krishna is usually depicted as an adult, so this is somewhat unusual, but in this case as a child from folklore. The story would probably be well-known to the audience at the
Art History The transition from the Baroque to the Rococo style in sculpture and painting was attended by a concurrent shift in European power relations, as the cultural and political hegemony of the Roman Catholic Church gave way to secular institutions of power. Comparing a work produced during the height of either style demonstrates this shift implicitly, because the Rococo style contains a playfulness in both theme and visual content hinting
Art During Renaissance The Evolution of Art During the Renaissance The Renaissance period is defined as a cultural movement that spanned approximately from the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe (Brotton 2006, p. 6). This period in the history of art included the painting, decorative arts and sculpture of the period and for many was considered a
Art History: The Impressionists Baroque The word baroque has no clear origin. Some says that it came from a medieval philosophical word connoting the strange or the ridiculous, some consider it as derived from the Spanish barueco or Portuguese referring to an irregular shaped pearl. As 18th century was coming to an end baroque find its way to art criticism terminology in form of epithet leveled against art of the 17th century,
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